“The Poet at Seventeen” by Larry Levis 2012 POL Recitation

Thumbnail titled "The Poet at Seventeen" featuring a portrait of Larry Levis holding a cigarette, representing a reading and discussion of his poem The Poet at Seventeen and its reflections on youth, memory, identity, and artistic awakening.

My youth? I hear it mostly in the long, volleying   

Echoes of billiards in the pool halls where   

I spent it all, extravagantly, believing

My delicate touch on a cue would last for years.



Outside the vineyards vanished under rain,

And the trees held still or seemed to hold their breath   

When the men I worked with, pruning orchards, sang   

Their lost songs: Amapola; La Paloma;



Jalisco, No Te Rajes—the corny tunes

Their sons would just as soon forget, at recess,

Where they lounged apart in small groups of their own.   

Still, even when they laughed, they laughed in Spanish.



I hated high school then, & on weekends drove

A tractor through the widowed fields. It was so boring   

I memorized poems above the engine’s monotone.   

Sometimes whole days slipped past without my noticing,



And birds of all kinds flew in front of me then.

I learned to tell them apart by their empty squabblings,   

The slightest change in plumage, or the inflection   

Of a call. And why not admit it? I was happy



Then. I believed in no one. I had the kind   

Of solitude the world usually allows   

Only to kings & criminals who are extinct,

Who disdain this world, & who rot, corrupt & shallow



As fields I disced: I turned up the same gray

Earth for years. Still, the land made a glum raisin   

Each autumn, & made that little hell of days—

The vines must have seemed like cages to the Mexicans



Who were paid seven cents a tray for the grapes

They picked. Inside the vines it was hot, & spiders   

Strummed their emptiness. Black Widow, Daddy Longlegs.   

The vine canes whipped our faces. None of us cared.



And the girls I tried to talk to after class

Sailed by, then each night lay enthroned in my bed,   

With nothing on but the jewels of their embarrassment.   

Eyes, lips, dreams. No one. The sky & the road.



A life like that? It seemed to go on forever—

Reading poems in school, then driving a stuttering tractor   

Warm afternoons, then billiards on blue October   

Nights. The thick stars. But mostly now I remember



The trees, wearing their mysterious yellow sullenness   

Like party dresses. And parties I didn’t attend.   

And then the first ice hung like spider lattices   

Or the embroideries of Great Aunt No One,



And then the first dark entering the trees—

And inside, the adults with their cocktails before dinner,   

The way they always seemed afraid of something,   

And sat so rigidly, although the land was theirs.



About the Author: Kaitlyn Bankson is an American literary novelist. She writes psychologically driven literary fiction and hosts the Bankson Manor podcast. Read more of her work at kaitlynbankson.com.


Views Expressed Disclaimer: Please know that while I consider myself an Objectivist and my work is inspired by Objectivism, it is not, nor should it be considered, Objectivist since I am not the creator of the philosophy. For more information about Ayn Rand's philosophy, visit aynrand.org.

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“The Truly Great” by Stephen Spender 2012 POL Recitation